High school seniors and best friends, Sonny and Duane, live in a dying Texas town. The handsome Duane is dating a local beauty, while Sonny is having an affair with the coach's wife. As graduation nears and both boys contemplate their futures, Duane eyes the army and Sonny takes over a local business. Each struggles to figure out if he can escape this dead-end town and build a better life somewhere else.

Wayne, a struggling method actor, inherits the city's last porno cinema from his estranged father Al. Seeing this as an unconventional opportunity to reconcile their relationship, Wayne absorbs himself in the underworld of the pornography business. While running the cinema Wayne meets a cast of characters including Ralf, a slimy business partner of Al's, James, a young man with special needs employed by Al, and Athar, a young boy who lives in the upstairs apartments. Each character acts as a piece of a puzzle in helping Wayne rediscover the father he barely knew. But the old cinema turns out to be much more than Wayne anticipated. Between the community's pressure to have it closed and the antics of the devoted patrons, unresolved traumatic experiences from his youth bubble their way to the surface and begin to paint a clearer picture of Al. Landing his first lead role in a film, Wayne can't help but recognize the similarities between this fictional character and his father. Wayne slowly takes on Al's persona in preparation of filming, but begins to lose his own identity in the process and eventually his grasp on reality. As Wayne lives and breathes everything Al, he finds himself in a much darker place than anything he ever could have imagined. No longer just a character study, Wayne painfully reconstructs his traumatic experiences using Athar in the role of himself as a child. But Wayne goes too far and ends up on the wrong side of his memory. It's only then that he realizes the errors of his ways. He must now find reconcilement with the people he has affected along the way. In a final act of closure, Wayne decides to close the porno cinema and embrace his own identity.

Wayne, a struggling method actor, inherits the city's last porno cinema from his estranged father Al. Seeing this as an unconventional opportunity to reconcile their relationship, Wayne absorbs himself in the underworld of the pornography business. While running the cinema Wayne meets a cast of characters including Ralf, a slimy business partner of Al's, James, a young man with special needs employed by Al, and Athar, a young boy who lives in the upstairs apartments. Each character acts as a piece of a puzzle in helping Wayne rediscover the father he barely knew. But the old cinema turns out to be much more than Wayne anticipated. Between the community's pressure to have it closed and the antics of the devoted patrons, unresolved traumatic experiences from his youth bubble their way to the surface and begin to paint a clearer picture of Al. Landing his first lead role in a film, Wayne can't help but recognize the similarities between this fictional character and his father. Wayne slowly takes on Al's persona in preparation of filming, but begins to lose his own identity in the process and eventually his grasp on reality. As Wayne lives and breathes everything Al, he finds himself in a much darker place than anything he ever could have imagined. No longer just a character study, Wayne painfully reconstructs his traumatic experiences using Athar in the role of himself as a child. But Wayne goes too far and ends up on the wrong side of his memory. It's only then that he realizes the errors of his ways. He must now find reconcilement with the people he has affected along the way. In a final act of closure, Wayne decides to close the porno cinema and embrace his own identity.

Billy, a streetwise kid from New York City, is sent to Nebraska and is taken in by a Swedish farm family, the Andersons. Initially fearful and resentful, Billy doesn’t fit in, and he clashes with his new family and adoptive father (Frank Converse). Not until a terrible crisis occurs does Billy realize that, for the first time in his life, he truly belongs and is Home At Last.

Ben Rivers is an artist and experimental filmmaker based in London. His work has been shown in many film festivals and galleries around the world and has won numerous awards. His work ranges from themes about exploring unknown wilderness territories to candid and intimate portrayals of real-life subjects.

Ben Rivers is an artist and experimental filmmaker based in London. His work has been shown in many film festivals and galleries around the world and has won numerous awards. His work ranges from themes about exploring unknown wilderness territories to candid and intimate portrayals of real-life subjects.

Los Angeles comedy hopefuls perform for an indifferent host under strict COVID-19 film production guidelines. Is this what one sees when they die?

Independent Filmmaker Caveh Zahedi is trying to make a television show. He persuades BRIC TV, a Brooklyn non-profit Arts organization, to finance a television show whose premise is that every episode will be about the making of the previous episode. In the process of creating the show, everything can-and does-go wrong. The cast, a who's who of Brooklyn's independent filmmaking community, includes Alex Karpovsky, Eleonore Hendricks, Dustin Defa, and Onur Tukel.